- LOCK IN LENS SELECTION COREL AFTERSHOT PRO PRO
- LOCK IN LENS SELECTION COREL AFTERSHOT PRO PROFESSIONAL
- LOCK IN LENS SELECTION COREL AFTERSHOT PRO SERIES
Dig in, and you’ll find curve adjustment tools, color correction and balance, exposure controls, and more. There’s a vertical tool pane running across the window’s right side with clearly labeled tabs such as Tone, Details, and Metadata. It was not as impressive as I’d hoped.Īn image with Perfectly Clear applied (right) and without (left).įortunately, image adjustments are easy to make.
This button is supposed to quickly optimize your images-sort of like Picasa’s I’m Feeling Lucky feature-but in actual use, I found that it mainly lightened images and made them more contrasty.
LOCK IN LENS SELECTION COREL AFTERSHOT PRO PRO
Combined with AfterShot’s robust support for RAW images, this makes for a fun editing playground.ĪfterShot Pro 2 comes with a tempting button labeled Perfectly Clear. AfterShot lets you compare these versions side by side and adjust each independently-and when browsing your photo collection in thumbnail mode, you can stack image versions so they only take up a single thumbnail. Non-destructive editing also means you can easily create multiple versions of a given image and try out different adjustments. Image versioning takes some getting used to but comes in handy. Any changes you make are fully reversible, since they’re saved alongside the original image in an XMP file. Working directly on the disk makes for very fast browsing, and you still get to enjoy one of AfterShot’s key features: non-destructive editing. You can choose whether you want AfterShot to import your photos into a database or work on the folder structure you already have on the disk (similar to what Picasa does). The minimum focusing distance is 18cm at the wide-angle end.Thumbnails load quickly, and it’s easy to switch between different viewing modes. The maximum magnifications are 1:2.9 at the wide-angle end and 1:4.5 at the telephoto end, which provides a wider range of expression for close-up photography.
Flexibility for Various Uses and Photographic Environments Featuring a dust and splash-proof body and zoom lock mechanism for preventing the lens barrel from extending unexpectedly, the 24-70mm f/2.8 meets a wide range of needs for a variety of photographic environments. This lens is designed to be less affected by strong incident light such as flare. In addition to Super Multi-Layer Coating, Sigmaâs proprietary Nano Porous Coating is employed to achieve high-contrast and clear image quality.
By employing three aspheric lenses, this zoom lens thoroughly subdues aberrations such as axial chromatic aberration or sagittal coma aberrations, which are difficult to correct in post-processing, tailors the resolution and achieves uniformity and superior optical performance from the center to the periphery throughout the zoom range.
LOCK IN LENS SELECTION COREL AFTERSHOT PRO SERIES
Superior Optical Performance The f/2.8 Art Series Lens is developed to achieve superior optical performance.
LOCK IN LENS SELECTION COREL AFTERSHOT PRO PROFESSIONAL
Compatibility with the latest mirrorless camera bodies and functions assists in various photographic environments and meets the high demands of both professional and advanced amateur photographers. For Professional and Advanced Amateur Photographers The Sigma 24-70mm f/2.8 DG DN Art lens exerts superiority in mirrorless camera-dedicated designs, resulting in a reduced lens size and weight while achieving uniformity and high resolution from the center to the periphery throughout the zoom range. It features a sophisticated optical design that delivers high resolution throughout the entire zoom range. The 24-70mm f/2.8 DG DN Art Lens from Sigma is a large-aperture standard zoom for full-frame mirrorless camera based on E-mount systems.
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